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Most natural diamonds have ages between 1 billion and 3.5 billion years. Diamond also has a very high refractive index and a relatively high optical dispersion. Small numbers of defects or impurities (about one per million of lattice atoms) color diamond blue (boron), yellow (nitrogen), brown (defects), green (radiation exposure), purple, pink, orange, or red. They are also the reason that diamond anvil cells can subject materials to pressures found deep in the Earth.īecause the arrangement of atoms in diamond is extremely rigid, few types of impurity can contaminate it (two exceptions are boron and nitrogen). Diamond has the highest hardness and thermal conductivity of any natural material, properties that are used in major industrial applications such as cutting and polishing tools. Another solid form of carbon known as graphite is the chemically stable form of carbon at room temperature and pressure, but diamond is metastable and converts to it at a negligible rate under those conditions. Transparent to subtransparent to translucentĭiamond is a solid form of the element carbon with its atoms arranged in a crystal structure called diamond cubic. Less often blue, green, black, translucent white, pink, violet, orange, purple, and red. Your smartphone videos might be a little trickier to work with than any higher-quality footage You’re used to, but you’d be amazed what Adobe’s technology can do these days.Typically yellow, brown, or gray to colorless. That means bringing it into Adobe Premiere Pro - or your video editing platform of choice.Īs you can see in the simple tutorial above, Warp Stabilizer can be a very powerful-yet-easy-to-use tool for fixing shaky footage.
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Unless you’re editing in-smartphone with apps like Adobe Premiere Rush or iMovie, to get the best results with your smartphone footage, you should treat it as you would footage from any other shoot. Experiment to find what works for you and your smartphone video needs. It’s worth noting, though, that even the most basic “selfie sticks” or smartphone holders can create at least a little more stability than going straight handheld. (Generally, the more expensive, the more stabilization.) Smartphone mount and rig options offer even more stabilization. In this write-up, we’ll take a look at how to make sure your smartphone videos look both stable and cinematic. Smartphone filmmakers often find themselves shooting handheld, which compounds the problem. One of the biggest issues with smartphone videos (as with any other type of videography) is stabilization. Yet, these are the early days of the future, so any skills that you can learn and develop will end up helping you in the long run.
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![premiere rush mobile stabilize premiere rush mobile stabilize](https://i.ytimg.com/vi/_dFzUbB4u98/maxresdefault.jpg)
Until then, shooting videos, short films, documentaries, and even features on smartphones can be a good solution for web or social-based projects, or at least a fun gimmick for anything bigger. Or, at least, some version of smartphones, which could very well end up being as powerful as any of their big cinema camera counterparts, perhaps in only a few years. No one in the film and video industry wants to hear this, but there’ll come a day when we shoot everything on smartphones. Let’s take a look at some practical cinematography and editing tips that can help you create smooth, stable, and beautiful smartphone videos.